Issue 18
2025
As Lead Graphic Designer & Art Director for the eighteenth printed issue of C41 Magazine, I was responsible for shaping the visual identity and layout of a publication that reflects on the nature of memory, time, and accumulation. All Becomes Archive explores how images, words, and sounds—once fleeting—become part of a collective, democratic archive shaped by the inertia of modern existence.
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2021 . 2023
As an art assistant for Sauer, a renowned jewelry brand, I played a crucial role in shaping the art direction for their campaigns. Additionally, my responsibilities extended to graphic design tasks, where I crafted catalogues, invitations, and motion designs. I also contributed to social media planning, ensuring cohesive and engaging content across various platforms. My diverse skill set allowed me to seamlessly integrate creative vision with strategic execution, enhancing the brand's visual presence and storytelling.
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Issue 01
2024
Epistrophe Magazine is a motion container of curated content that speaks and responds to the needs of contemporary society by proposing a new way of contemplating the editorial philosophy through short videos. Each issue visually depicts a selected poem, and through its content, the public will unravel the idiosyncratic world created by the writer.
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2025
For the Adidas FW25 campaign featuring Rose Villain and Moise Kean, I was responsible for art direction, image retouch, video editing, BTS photography, and storyboard development. Each discipline contributed to shaping a cohesive visual narrative that balances raw energy with refined detail, bridging sport and culture through a cinematic lens.
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Imaginary campaign crafted with AI
2025
Exploring Jil Sander’s Spring/Summer 2026 collection, I was drawn to its structural minimalism and emotional balance. Using AI, I developed a series of images that reinterpret these qualities as a contemporary lookbook.
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Editorial
2023
The editorial "Orchidaceae" beautifully captures the timeless journey of discovering womanhood. Each stage unveils the evolving essence of a young woman as she navigates life's intricate tapestry. From innocence to empowerment, the audience is invited to witness her graceful metamorphosis, a testament to the enduring spirit of femininity.
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Imaginary campaign crafted with AI
2025
I saw Chanel’s Spring/Summer 2026 collection through the eyes of Richard Avedon — reimagining its elegance and modernity in the timeless language of black and white. Using AI tools, I translated the runway’s movement and texture into a photographic vision that captures Avedon’s sculptural sense of pose and emotion. This experiment allowed me to merge fashion’s present with its photographic past, revealing how technology can reinterpret classic visual codes in a contemporary way.
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Imaginary videos crafted with AI
2025
I animated the photographs taken by LEONE for C41 Magazine’s Leisure section, in the feature titled A Place We Like. Using AI tools, I brought motion to still imagery, adding subtle layers of life to LEONE’s visual narrative captured in Leoni di Sicilia, Sicily. The animations were designed to enhance the contemplative tone of the story, preserving the atmosphere of the place while offering a fresh, immersive way to experience the imagery.
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2025
A new chapter in the Canali tailoring story, built on the principles of structure, comfort, and innovation. Canali Nuvola is a transversal project within the SS25 collection that redefines lightness: garments crafted with ultra-soft materials, breathable constructions, and no unnecessary weight. From featherlight suede overshirts to unlined jackets and engineered sneakers, every piece is the result of decades of sartorial expertise applied to modern lifestyles.
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2024
Asics collaborated with Studio Hagel to create the Neocurve, telling its story from inception to final form. The making-of video focused on craftsmanship, using a minimal, documentary-style approach to mirror the balance of mind and body. The process unfolded through key contributors—Fast Feet Grinded, Studio Hagel, ForEver, Cosmiknit, and RODIRO—each highlighting a stage in the transformation from reclaimed ASICS shoes to a refined final product.
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annagabrielaseiko@gmail.com
CV
Driven by an insatiable curiosity and a penchant for innovation, I am constantly on the lookout for unconventional methods to articulate my thoughts and values. Whether it's through avant-garde designs, experimental concepts, or boundary-pushing narratives, I thrive on exploring the limitless possibilities of creative expression.
Polimoda . Florence, Italy
2020 . 2024
C41
Milan
2024 . Present
Graphic Designer
Josefina Baillères
New York (remote)
2025 . Present
Art Assistant
Kleber Matheus Studio
São Paulo
2021 . 2023
3D Designer
Numéro Switzerland
Schwyz (remote)
June 2024
Visual Artist
Pitti Immagine
Florence
2022 . 2023
Art Director . Videomaker
Universal Music Italy (applied project)
Florence
2022 . 2023
Professional Proficiency
Portuguese
Native
Italian
Intermediate Level
French
Basic Level (learning)
Spanish
Basic Level
Team player
Willingness to learn
Curiosity
Time-management
3D Design
Motion Design
Adobe Creative Cloud
Multilingual
Strategic positioning
Research
International Congress of Sustainability in Fashion and Textiles
São Paulo
2019
Finance Vice Director
Academic Center of the Bachelor in Fashion Design and Textile
São Paulo
2019 . 2020
Graphic Designer
Milan
2025
(coming soon) Out of Sequence: Piero Percoco
Graphic Designer
Milan
2025
(coming soon) A Place We Like: LEONE
Graphic Designer
Milan
2026
Epígrafe Magazine: Blue Through The Lens Of Fashion History
Copywriter
São Paulo
2021
2023
In Harper's Bazaar Brazil's September 2023 issue, I had the privilege of bringing a fresh perspective through digital content creation, specializing in motion design. With each frame meticulously crafted, I endeavored to infuse the pages with a dynamic edge, captivating audiences from a digital point of view.
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2024
In collaboration with the art director of Numéro Switzerland, we conceptualized the idea of animating the covers of their Homme debut issue. I brought this vision to life by creating the 3D animations for the magazine.
2025
I had the pleasure of editing UNO (and all the other numbers), a short film by LEONE. “No One Is Just a Number” — A Modern Fairy Tale Set in the Hills of Abruzzo. The project blends poetic storytelling with raw realism, exploring identity and belonging through a dreamlike visual language. It was published by Fucking Young! and C41 Magazine.
[Watch here]
2025
I created the 3D visuals for Drink Lucia, bringing the brand’s identity to life through detailed modeling, texturing, and rendering.
[See 360°]
2022 . 2023
Throughout the years, I've embarked on numerous 3D experiments for Sauer, each one reflecting a distinct exploration of digital artistry in harmony with the brand's exquisite jewelry. With every project, I’ve refined my skills and expanded my creative horizons within the vibrant realm of 3D art, allowing the beauty of the jewelry world to shine through in new and captivating ways.
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2024
Embarking on the journey of Exploring Organic Interactions with Touch Designer, I immerse myself in a captivating fusion of technology and the untamed beauty of nature. Through the intricate design and interactive experiences I craft, I aim to unravel the inherent connections between humanity and our environment. Each interaction becomes a personal dialogue, as digital landscapes intertwine with the organic world.
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2024
I crafted a captivating 3D animation to launch the collaboration between C41 and LAPAC. This video celebrates the partnership between these two esteemed organizations, rooted in Italy and France, highlighting their shared vision and creative synergy.
[Watch here]
2022
As a motion designer for various The Macallan campaigns, including those for Christmas and New Year's, I had the privilege of creating captivating animations for their multiple platforms. These animations prominently featured the stunning illustrations of Naíma Almeida, bringing her artwork to life in dynamic and engaging ways. From festive holiday-themed animations to celebratory New Year's designs, each project was meticulously crafted to complement The Macallan's brand aesthetic and resonate with their audience.
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